Best Lenses For Olympus Omd Em10
Olympus released a new camera called Olympus OM-D E-M10 Mark II, which is the successor to the Olympus E-M10. The new camera has received a number of improvements over its predecessor. However, it still has the same sensor and image processor as the previous model.
The Olympus OMD EM10 Mark II features a 16MP Live MOS sensor which is quite good for an entry-level mirrorless camera. As far as noise performance goes, we found that the Olympus E-M10 Mark II produces less noise than most other cameras in its price range.
The lens system on the E-M10 Mark II is made up of Micro Four Thirds lenses, which are smaller and lighter than their full frame counterparts. They also offer more compactness compared to other systems such as APS-C or full frame.
So if you’re looking for an entry level system with great image quality and a nice lens lineup, then you should consider Olympus EM10 Mark II!
The Olympus 25mm f1.8 Interchangeable Lens is a standard prime lens that yields a 50mm (35mm equivalent) field of view and has a fast, constant f/1.8 aperture. This makes it ideal for low-light shooting, including astrophotography and indoor photography. It also works great for portraits, landscapes and street photography, thanks to its fast aperture and the sharp image quality it delivers.
The lens features an MSC design, which means that the camera will focus continuously while taking photos in live view mode or when using AF tracking with all Olympus cameras that have continuous autofocus capability. The inclusion of an MSC design makes this lens especially convenient when shooting video with your mirrorless camera system.
The Olympus 25mm f1.8 features seven blades that create a circular aperture for better bokeh when shooting at wide aperture settings. It also provides smooth out-of-focus areas in images taken at wide apertures like f/2; or smaller. This makes it great for portraits, landscape photography and other subject matter where you want to isolate subjects from their backgrounds by blurring them out gently with shallow depth of field effects.
The Olympus M.Zuiko Digital ED 12-40mm F2.8 Pro Lens is a professional grade lens that offers the flexibility of a zoom lens, while delivering superior image quality in both low light and bright light conditions. The constant f2.8 maximum aperture makes it ideal for shooting in low light, as well as for creating background blur with shallow depth of field effects.
The M.Zuiko ED 12-40mm F2.8 PRO lens delivers top-level optical performance with its high-grade optics and construction materials, including 14 elements in 9 groups (Aspherical ED lens, 2 Aspherical lenses, DSA lens, 2 ED lenses, HD lens and 2 HR lense), which provide sharp images with minimal aberration throughout the entire zoom range and on all Olympus Micro Four Thirds cameras.
The M.Zuiko ED 12-40mm F2.8 PRO also features a manual focus clutch mechanism that allows you to switch between auto focus and manual focus with just one touch of your finger so you can quickly adjust your focus.
The LUMIX G VARIO 12-60mm / F3.5-5.6 ASPH. is a compact, high performance standard zoom lens for Micro Four Thirds System cameras. It features a versatile 24-120mm (35mm camera equivalent) focal length range that covers wide-angle to portrait perspectives and incorporates two aspherical elements to reduce spherical aberrations and distortion throughout the entire zoom range.
The durable metal barrel design of the lens is both dust and splash proof to protect it from dirt and moisture.
The POWER O.I.S. image stabilization system minimizes blur caused by camera shake, which is effective when shooting in dark locations or at night, as well as while panning while recording video.
Additionally, Dual I.S. 2 compatible bodies can utilize both the optical image stabilizer of this lens and body-based image stabilization simultaneously for greater stability when shooting handheld images in low light conditions without a tripod or monopod support.
The Lumix G Vario 7-14mm f4.0 ASPH. lens is a wide-angle zoom lens for Micro Four Thirds System Cameras. The new ultra wide angle zoom is designed to be compact and versatile in use, covering a range of focal lengths equivalent to 14-28mm in 35mm film camera format.
The optical construction incorporates one aspherical glass element to minimize distortion while contributing to outstanding optical performance with minimal chromatic aberration. A floating optical system compensates for spherical aberrations that arise when shooting at the widest aperture settings, delivering consistent high resolution all the way from the center to the edges of a photo.
To ensure sharp images, the lens has been developed with an improved control mechanism for keeping the aperture blades clean, resulting in more accurate focusing and reduced blurring during exposure.
The lens also features a minimum focusing distance of just 0.25m/9.84″ which allows shallow depth of field photography similar to that provided by larger dedicated models like the Vario 7-14mm F4 Asph Leica DG Summilux or Sigma 8-16mm DC HSM A16M Fisheye zoom lenses (both have longer focal lengths but are significantly larger).
The Olympus M.Zuiko 17mm f/2.8 Lens is a pancake-style prime lens that offers an extremely wide field of view, great for landscape or street photography. The fast f/2.8 aperture is great for low-light shooting and makes it more versatile than the kit lens.
Compact, Discreet Pancake-Type Lens
The Olympus M.Zuiko 17mm f/2.8 Lens is a pancake-style prime lens that’s incredibly compact and lightweight for its focal length range and aperture.
It’s perfect for the photographer who wants to keep their kit small and light, but still have a versatile lens that can handle both landscapes and street photography with ease.
Fast f/2.8 Aperture
The fast f/2.8 aperture allows you to shoot in low light conditions without using flash, giving you greater flexibility when shooting at night or indoors without flash at weddings or events where using flash isn’t appropriate or allowed by venue policy.
The wide aperture also creates a shallow depth of field, making it possible to isolate your subject from the background when shooting portraits or tight shots of objects with lots of detail in them like jewelry .
The Olympus M.Zuiko Digital ED 40-150mm F2.8 PRO Lens is a high-performance telephoto zoom lens for Micro Four Thirds cameras, designed for professional photographers and serious enthusiasts.
It features a dust, splash and freeze proof construction, a dual linear motor for fast and near-silent autofocus performance, and a manual focus clutch mechanism for precise control over the focus range.
The lens’ optics consists of 12 elements in 9 groups, with two Super ED lenses and three aspherical lenses to minimize distortion and aberration while achieving high resolution across the entire frame throughout its zoom range. Its Nano Surface Coating reduces flare and ghosting when working in strong lighting conditions.
The 40-150mm focal length covers an equivalent field of view of 80-300mm on full-frame cameras, making it ideal for sports photography or wildlife photography where you want to be close enough to your subject without getting too close as to spook it away.
This makes it perfect for shooting sports such as football or soccer at the stadium (or even at home when watching the game on TV), or anything from birds in flight to deer running through.
The Olympus M.Zuiko Digital ED 40-150mm F4.0-5.6 R Zoom Lens is a lightweight, portable design, 80 to 300 millimeter equivalent field of view lens that’s nearly silent movie and still compatible auto focus. It’s perfect choice for second lens or everyday shooting. This versatile telephoto zoom lens covers the popular 24x36mm size used in most point-and-shoot digital cameras and DSLRs.
The Olympus M.Zuiko Digital ED 40-150mm F4.0-5.6 R Zoom Lens offers a 3.75x zoom range, macro focus range: 0.90 meter (35mm equivalent: 80-300mm), and a focal length of 40 to 150 millimeter (35mm equivalent: 80-300mm). With an aperture range of f4 to 22, this compact high quality lens is ideal for capturing excellent detail in both bright sunlight and dim indoor settings without the need for flash.
The Zuiko ED lenses feature a unique optical design that minimizes aberrations while providing sharp images with excellent contrast and color fidelity.
If you want a lightweight and portable telephoto zoom lens that’s ideal for shooting sports, outdoors, and more, this is the best choice.
The Olympus M.Zuiko Digital ED 9-18mm F4.0-5.6 Lens is a wide-angle zoom lens designed for Micro Four Thirds mirrorless cameras. It provides an 18-36mm equivalent focal length range and sports two aspherical elements to minimize distortion and aberration throughout the zoom range for improved sharpness and clarity.
One extra-low dispersion element suppresses color fringing and chromatic aberrations for greater clarity and color accuracy. The Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance. The retractable lens design with a locking button maintains a compact profile when the lens is not in use.
Two Dual Super Aspherical elements, along with one high refractive index element and an aspherical element, reduce spherical aberrations and distortions throughout the zoom range for improved sharpness with minimal distortion.
One extra-low dispersion element suppresses color fringing and chromatic aberrations for greater clarity and color accuracy.
Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, fast performance.
The LUMIX G FISHEYE 8mm / F3.5 is a compact lens that offers a diagonal angle of view of 180 degrees for both photos and HD movies. Equivalent to 16mm on a full-frame camera, it can be used for a variety of scenes, from sweeping landscapes and group portraits to tight indoor shots.
The optical design consists of 10 lenses in nine groups, including an ED (extra-low dispersion) lens and two aspherical lenses to suppress color fringing in order to achieve a stable descriptive performance from close-up to infinity.
The LUMIX G FISHEYE 8mm / F3.5 employs the inner focus system, which enables a long working distance. The closest focusing distance is as short as 0.1m, allowing you to shoot more freely without changing your shooting style even when shooting macro photography or video recording with the lens attached.
The seven blades give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings.
- Brand : Olympus America
- Camera Lens Description : 100 millimetres
- Maximum Focal Length : 100 Millimeters
- Minimum Focal Length : 12 Millimeters
- Focus Type : Auto Focus
The Olympus V314080BU000 12-100mm M.Zuiko Digital Lens is a versatile, telephoto lens for Micro Four Thirds cameras. The 12-100mm f/4 lens has a 35mm equivalent focal length of 24-200mm, making it ideal for landscapes as well as portrait photography.
It also features a built-in image stabilizer, which helps to minimize the appearance of camera shake when working in low light conditions or at long focal lengths. This lens has a fast maximum aperture of f/4 and uses an MSC high-speed imager AF system that provides quick focusing speeds and accurate autofocus performance.
The lens has five-axis sync image stabilization to help reduce blur caused by camera shake and subject movement, allowing you to take sharp images even in low light conditions or when shooting at long focal lengths.
The included lens hood helps reduce glare and ghosting caused by sunlight, while an MSC high-speed imager AF system provides quick focusing speeds and accurate autofocus performance. The aperture range can be changed using the built-in control ring near the mount of the lens, which has been designed specifically for use with Olympus cameras.
Things to consider before buying a best lenses for olympus omd em10
The first thing to look for in a good wide-angle lens is its range.
The first thing to look for in a good wide-angle lens is its range. Wide-angle lenses can range from 10mm to 35mm, which means you’ll want to choose a focal length that best suits your needs. You can often find the focal length written as a number on the lens itself. This number represents the angle of view for that particular lens at its minimum focusing distance.
For example, if you’re shooting with an OMD EM10 with a 16-50mm kit zoom lens or 17mm prime lens and want more space between objects in your frame, go up one stop from f/2 (35mm equivalent) and use f/2.8 instead—this will give you room for more details without sacrificing detail or quality!
Zoom or prime lenses can offer an advantage to wide-angle users.
A zoom lens is more versatile than a prime lens, because it gives you more options. You can get closer to your subject and still be able to fit everyone in the shot. However, prime lenses are more compact than zoom lenses and can offer better image quality if you’re willing to spend more money on them. Therefore, it’s worth thinking about which type of photography you’ll be doing before choosing between these two kinds of camera lenses for Olympus cameras like the OMD EM10 Mark II.
Consider your budget before buying a wide-angle lens.
A wide-angle lens can be a significant investment, especially if you’re looking for the best of the best. But don’t let that scare you away from buying a high end lens. You don’t need to spend thousands of dollars on a wide-angle lens to get great images with your Olympus OMD EM10 camera.
There are several great options available in the $500-$1000 range that will give you excellent results while still being within your budget.
Don’t forget to consider how much money it will cost to buy both the camera body and accessories such as filters and batteries, when considering how much money you want to spend on lenses alone!
Weight and size can affect your decision about which wide-angle is best for you
Weight and size can affect your decision about which wide-angle is best for you.
If you’re looking to use a lens on a tripod, the weight and size of the lens aren’t as important. But if you plan to shoot handheld, your choice will be influenced by how heavy or large it is. If a wide-angle lens is too heavy, it might cause fatigue when shooting for long periods of time; if it’s too big, carrying it around could make this task difficult.
In addition to these factors are those related to how easily your camera will fit into its bag: if there isn’t enough space in the bag that comes with your camera body, then adding another piece may cause some problems with storage space or even comfort when carrying everything around together in one package (especially if some parts are heavier).
Be sure to test the lens in real-world situations
It’s important that you test the lens in real-world situations before purchasing it. This will give you a better idea of how well it will perform under real-world conditions and what kind of results to expect from your new purchase.
- Test the lens in bright light. Bright light is one of the most challenging environments for photography because there’s an abundance of natural light available, which can make it difficult to get consistent exposure settings between shots.
- Test the lens in low light. Low light can be equally challenging when trying to achieve correct exposures and depth-of-field control without having any additional accessories such as flashes or reflectors at hand (if only for comparison sake).
- Test the lens on different subjects that require similar focal lengths but different qualities like shooting wide open vs stopped down as well as using longer shutter speeds than normal handheld situations would call for so that you can see how much shake affects your image quality when using slower shutter speeds while shooting handheld with long telephoto lenses! You might also want to take advantage of all those extra megapixels offered by Olympus OM-D cameras like this one:
Wide angle photography is great, but you have to know what you’re getting into
Wide angle photography is one of the most fun and rewarding forms of photography. It’s a great way to get up close with your subject, using your unique perspective as an artist to make compelling images. However, wide angle lenses aren’t for everyone. If you’re still on the fence about whether or not they’re right for you, consider these points:
- Wide angle lenses are expensive. When you buy one, it’s likely that it will become one of your most valuable pieces of equipment—so make sure it’s something worth investing in!
- Once you buy a wide angle lens, there’s no going back! If there’s something better out there that would fit better into your photographic style or needs, chances are good that it will be too late by then.:
In this article, we’ve covered some of the best lenses for Olympus OMD E-M10. The lens can change your experience with photography and make it more enjoyable.
The most important thing to consider before buying a lens is that you check whether it’s compatible with your camera model or not. If you don’t check compatibility before buying a lens then you may end up wasting your money as well as getting an expensive replacement for a small problem that could have been solved by just checking whether the new purchase was compatible with your current camera model or not! So keep in mind these tips before investing in any new gear; they could save yourself from making an expensive mistake later on down the road!